Welcome to Live — Ableton Reference Manual Version 11The Ableton Team Says: Thank You Live is the result of musicians wanting a better way to create, produce and perform music using a computer. A great deal of effort has been put into making Live easy and fun to use, yet at the same time capable of helping you create music with unlimited depth and sophistication. This effort continues even as you read these lines… in fact, a new, improved Live version might already be available for download! Please check your ableton.
The time_signature_numerator, time_signature_denominator, time_signature_enabled and tempo_enabled properties are now available in the Max for Live API. MIDI Clip Scales A new Scale Mode (see ‘MIDI Clip Scales’) can be enabled/disabled via the Scale button in the Clip tab of MIDI clips. By default, key tracks belonging to the selected scale are highlighted in the MIDI Note Editor, and the root note is indicated by a prominent highlight in the piano roll. Newly-created MIDI clips inherit the previously edited or viewed clip scale, even if they have Scale Mode disabled.
Link functions have been added to the Max for Live API. When Max fails to load, an error message will be displayed that contains a link to a Knowledge Base article that explains potential causes for the issue and steps to take to resolve it. Error reporting in the Max Window is more consistent. Four new theme colors are available in Max for Live. Audio driver input and output latencies are now taken into account for Max for Live devices that contain audio routings to external targets. If needed, users can revert to the previous behavior by using the -DisableM4LRoutingCompensation debug option in an Options. txt file.
Chorus-Ensemble (see ‘Chorus-Ensemble’) is a new audio effect featuring two different chorus modes and a vibrato mode for creating pitch variation. Phaser-Flanger (see ‘Phaser-Flanger’) is a new audio effect that combines the functionalities of the Phaser and Flanger devices into one, as separate effect modes. Shifter (see ‘Shifter’) is a new audio effect designed for pitch shifting, frequency shifting, and ring modulation.
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The Follow Action Chance slider now displays a split triangle instead of just a black bar when it is showing multiple different values. Interface Improvements Live’s Themes have been redesigned to provide much greater contrast. Added a Reduced Automatic Colors toggle to the Look/Feel Preferences, which uses a reduced color palette when assigning colors to clips and tracks. This palette makes clips and tracks easier to tell apart with a deuteranopia, protanopia or tritanopia color vision deficiency. Added a Grid Line Intensity slider to the Look/Feel Preferences, allowing for more pronounced or dimmed appearance of grid lines in the Arrangement and Detail Views.
Redux (see ‘Redux’) now has new parameters that can be used to create a wider range of sounds, from harsh distortion to digital and aliasing artifacts, through to warm and fat 8-bit sounds. External Instrument (see ‘External Instrument’) is now available in Live Intro. A Hi-Quality option has been added to the right-click(Win) / CTRL-click(Mac) context menu of the Redux device. Using Redux with Hi-Quality switched off saves some extra CPU. Wavetable has a new Hi-Quality right-click(Win) / CTRL-click(Mac) context menu option (see ‘Hi-Quality Mode’). Using Wavetable with Hi-Quality mode off can save up to 25% CPU compared to having it enabled. Wavetable can now be fully controlled using MPE controllers. MPE Control (see ‘MPE Control’) has been redesigned to display each MPE source in its own tab with unique advanced settings.
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Each track shows a CPU meter with six rectangles that light up to indicate the relative impact of that track on the CPU level of the current Live Set. Device Additions and Improvements Drift (see ‘Drift’) is a new instrument based on subtractive synthesis with a wide sonic palette that can be used to quickly create inspiring sounds. Hybrid Reverb (see ‘Hybrid Reverb’) is a new audio effect which allows blending a convolution reverb with a number of reverb algorithms. Spectral Time (see ‘Spectral Time’) is a new audio effect that combines time freezing and spectral delay effects in a single inspiring device. Spectral Resonator (see ‘Spectral Resonator’) is a new audio effect based on spectral processing that uses spectral resonances and pitched overtones to add tonal character to any audio source.
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When editing multiple clips with different key and scale settings, any foreground clip with Scale Mode enabled now updates the global settings that are used to initialize the next created clips, as well as Push’s key and scale. MIDI Note Editing A new Chance Editor (see ‘Editing Probabilities’) allows setting the probability of a MIDI note occurring in a playing clip. Dragging a note’s probability marker up and down changes the probability value between 0-100%. It is now possible to see and edit a velocity range, from which a velocity value is randomly selected when a note is played. In the Notes tab, a Velocity Range slider (see ‘The Velocity Range Slider.
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When Sets are saved with the File menu’s Save Live Set as Template… or Save Live Set as Default Set… command, they are automatically self-contained in the same way as Sets that use the File Manager’s Collect and Save function. The icons in Live’s Preferences and dialogs have been improved. Live now shows different icons for Live Clip (. alc) files that distinguish between Audio and MIDI content in the browser.
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The lane header selection can also be extended using Shift and the up and down arrow keys. You can move automation lanes and take lanes using CTRL(Win) / CMD(Mac) and the up and down arrow keys. Selected automation lanes or take lanes can be resized vertically by pressing ALT-+ or ALT--, or by pressing ALT while using the mousewheel/pinch gesture. When using the Zoom to Time Selection command in the Arrangement, Live now only zooms horizontally at first. When using the command a second time (without changing the time selection), Live then zooms vertically as well.
Sampler and Simpler now support MPE. It is now also possible to use MPE/Push 2’s Pressure mode to modulate individual notes in Sampler and Simpler. MPE mappings have been improved in MPE-enabled instruments. The number of visible Macro Controls in Instrument Racks can now be controlled from a Max for Live device or a control surface. The Cytomic Filters, which are used in the Wavetable, Echo, Simpler, Sampler, Operator, and Auto Filter devices, have been updated and improved in stability, sound and performance. As of 11.
You can access a menu with these options when you right-click anywhere within Tuner’s UI. It is now possible to zoom out to a full octave in Tuner’s Histogram View by clicking the interface and dragging the cursor horizontally. A context menu option for a Hi-Quality mode has been added to the Delay device. Switching off Hi-Quality uses less CPU resources. The Channel EQ device now uses less CPU resources. The Pitch MIDI effect UI has been slightly updated. In Audio and MIDI Effect Racks, chains are now automatically named based on whichever devices are added. Follow Actions Follow Actions can now be assigned to scenes via the new Scene View.
Try Ableton Live 11 for free - 30-day Trial download Ableton Live lets you easily create, produce and perform music within one intuitive interface. Live keeps everything in sync and works in real-time, so you can ...
